Moviedom Unveils Global Expansion Plan With 100 Mini Multiplex Screens by 2028

Moviedom, the blockchain-powered entertainment ecosystem, has announced plans to establish 100 twin-screen Mini Multiplexes worldwide between 2025 and 2028, strengthening its Real-World Projects (RWP) model. The initiative will debut with four operational screens set for streaming in Q1 2026.

Sep 20, 2025 - 10:57
Moviedom Unveils Global Expansion Plan With 100 Mini Multiplex Screens by 2028

Market Context

The project represents a significant leap in merging blockchain with real-world entertainment infrastructure. By enabling fractional ownership of cinema screens, music projects, and large-scale concerts, Moviedom is positioning itself as a pioneering platform in decentralized entertainment investment. With $MDOM tokens entering top global exchanges, accessibility for investors and fans is expanding rapidly.


Technical Details with Attribution

  • Mini Multiplexes: 100-seater twin-screen setups, tokenized as RWP assets, granting investors proportional ownership and revenue participation.

  • Token Utility: $MDOM enables fractional ownership, ticketing, F&B payments, and profit-sharing. Holders can also stake tokens for governance under DAO frameworks.

  • Global Exchange Listings: $MDOM tokens will soon trade on leading exchanges including MEXC, BitMart, BingX, XT, and Coinstore, with tracking on CoinGecko and CoinMarketCap.

  • Launch Timeline: 100 screens planned by 2028, with the first four screens going live for streaming in Q1 2026.


Analyst Perspectives 

Analysts view Moviedom’s strategy as a bold experiment in tokenized ownership of physical entertainment assets. While the potential to democratize cinema and event investment is clear, they caution that execution risks—including construction timelines, regulatory compliance, and sustained token adoption—remain critical factors for success.


Global Impact Note

If successful, Moviedom could become a blueprint for blockchain-driven entertainment investment models, allowing fans and investors worldwide to directly participate in the revenue streams of cinema, music, and large-scale events. This approach may inspire similar projects across sports, live shows, and global cultural assets.


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